Haunted Horses NYC
Haunted Horses NYC was formed in 2005 in Brooklyn NY.
Drums/Vocal- John Epperly
Electric Mandolin/Moog/Vocal- Joe Foldes
Bass/Vocal- Mattley Mountain
Music Blog covers the Underground/Indie Rock Music Scene in a positive manner with a focus on the WNY area. Bands and promoters are encouraged to submit promo material for review. Listening to new music with an open mind is important. This blog isn't about Joe Tell it's about exposing new music and promoting new bands that want a push. I also post about any interesting topic that may cross my mind. Music blog sponsored by Buffalo's best comic book shop Queen City Bookstore.
Haunted Horses NYC
Haunted Horses NYC was formed in 2005 in Brooklyn NY.
Drums/Vocal- John Epperly
Electric Mandolin/Moog/Vocal- Joe Foldes
Bass/Vocal- Mattley Mountain
LEEDS, UNITED KINGDOM - Following the release of singles Estranged, Cup of Coffee in the Big Time, and Custom Made Lizard Shoes, Radio Aftermath are now set to unleash their debut self-titled EP on an unsuspecting world!
The band’s influences pitch modern rock artists such as Jamie Lenman/Reuben, Biffy Clyro, and the much-missed Black Peaks against the likes of scene stalwarts Alexisonfire and La Dispute, balancing aggression and melody with some deliciously delectable musical hooks thrown in for good measure. The EP also features a guest turn from fellow Leeds lads, When They Riot.
Formed in 2014, Radio Aftermath consists of frontman Chris Dennett (Vocals and Guitar), Sam Moran (Guitar and Vocals), Rob Burns (Bass and Vocals) and Jack Craven (Drums). Their debut single Kiss from a Rebel launched in May 2020 at the height of the first COVID-19 lockdown, this was followed by We Eat the Buffalo (November 2020) and Estranged (February 2021). 2022 saw the guys hunker down to focus on recording and releasing new music, starting with May’s Cup of Coffee in the Big Time and followed by Custom Made Lizard Shoes in July.
For Fans Of: Deftones, Lonely the Brave, Glassjaw, Reuben, Jamie Lenman, Queens of the Stone Age, La Dispute, Turnstile, Biffy Clyro, Press to MECO, IDLES, Alexisonfire.
Band Members: Christopher Dennett (Vocals/Guitars), Sam Moran (Guitars/Vocals), Robert Burns (Bass/Vocals), Jack Craven (Drums) Additional Personnel: Tom Wallwork (When They Riot, Guest Vocals).
Aftermath can be found on Youtube https://youtu.be/_SdYcHYQJ_0 Facebook, Instagram and Twitter.
Thank you to Rob and Aftermath.
Rob from the Talkin Bout Rock podcast invited me out to see Mr. Speed, Grosh and Hair Nation at the famed Showplace Theater. After having, #1 grown up on KISS music, #2 reviewed both of Grosh's releases and #3 reviewed Jim Crean's music I was excited to go. (Thank You Rob!)
After overcoming some ear pain I was able to take Rob up on his invite. Being late (as usual) I missed Grosh (darn it!) but was able to check out Jim Crean/Hair Nation and Mr. Speed. Here's a few pics of Mr. Speed, a band I've always wanted to see.
Hello, I have been asked "What's the best way to submit events or music for review?"
Bands can submit epk's or event flyers directly to Joe Tell @ jtellfotos@yahoo.com. I prefer music from the WNY area or at least the tri-state area but I have reviewed bands from all over the world.
I prefer (old school) CD's but I can review albums online with a link from soundcloud or bandcamp.
I can also be contacted directly on Facebook through the public page's entitled "WNY Music page" and "Forever Green Music".
Just an FYI: I moderate all comments and I usually don't repost anonymous comments.
Thank you in advance for any interest in my music blog.
Hayley and the Crushers - San Luis Obispo, CA
The band have recently released their fuzzed-out, sugar sweet rendition of The Go-Go’s “Lust to Love” https://youtu.be/yF8YZmqTswQ and it precedes more original music from the band this year!
Hayley and the Crushers - San Luis Obispo, CA — An irreverent punk ditty poking fun at American consumer culture is nothing new (Hey: the '90s called and want their rebellion back!)—but a tongue-in-cheek pit-starter delivered by none other than California power trio Hayley and the Crushers? That's one four-chord wonder that begs to be cranked to full blast. The band’s newest single/video "Click and Act Now!” https://youtu.be/BkQrKftIUjk is the latest installment of what will undoubtedly be an infectiously eclectic third full-length album bringing together the band's signature blend of sparkle and destruction (slated for release on Kitten Robot Records in Spring 2022). The Crusherverse, as always, is full of wild surprises.
Helmed by husband-and-wife team guitarist Hayley Crusher Cain and bass player Dr. Cain ESQ (with Action Ben Cabreana on drums), the band signed to New Wave icon Josie Cotton's Kitten Robot Records in 2021 and have already released two previous singles on the label this year: June’s moody anti-ballad “Cul-de-Sac” https://www.youtube.com/watch?v=Vse4QKXAhkM and August’s fizzy, light-hearted summer jam “She Drives” https://www.youtube.com/watch?v=y6YmY0aYims . The California power trio is guided by sonic contradiction: '60s girl group sensibilities meet grinding rock n roll heat; shimmering radio-ready melodies retain an endearingly quirky vibe, no matter how high legendary producer Paul Roessler (TSOL, Josie Cotton, Richie Ramone) ramps up the production value. A peek inside the Cains' record collection reveals the breadth of the band's musical maximalism: classic country greats like Waylon Jennings mingle with '60s exotica, ABBA, crust, and—a shared favorite of the couple—1990s Bay Area punk.
“I remember first hearing the sound of the East Bay at age 16 while crushing a 12-pack of Olympia under a bridge on the Crystal river in rural Colorado where I grew up,” Dr. Cain said. “My buddy Norton had mail-ordered a cassette of Operation Ivy from Maximum RockNRoll and we cranked it up on a beat-up old blaster he always carried around with him. We sat there, drank beer and listened to it on repeat for the day. 'Hooked' is a great way to put it.”
With straight-ahead punk rock riffage written by Dr. Cain and gleefully sardonic lyrics penned by Hayley (the chorus could be torn from a late-night infomercial of yore: 'Five easy payments of $19.99, limited time offer, be the caller on the line!'), the new tune offers up a one-two punch of levity and social commentary. “We laugh a lot and don’t try to take ourselves too seriously all the time, and this song totally reflects that vibe,” Hayley adds. “When it comes to straight ahead punk with a pop element, that’s my bread and butter—that’s what truly made me pick up a guitar as a young kid. We share a love for that kind of high energy music. So, when he came to me with this really punky riff I knew exactly what I wanted to do with the vocal. The result is a song that’s confrontational but with a little wink."
“The heavy bass, pop drums, jangly guitar, crazy male female dual vocals—and a strong message often delivered with humor and sarcasm—this is what inspired me about the East Bay sound,” Dr. Cain said, adding that groups like Jack Acid, Blatz, Filth, and Crimpshrine weren't far from his mind when sitting down to write.
Producer Mass Giorgini—who's worked with Lookout Records greats of the '90s in his own right (Billie Joe Armstrong of Green Day; Operation Ivy/Common Rider's Jesse Michaels, to name a few)—mastered the song. According to the band, this is only a cool coincidence, if not a tiny gold star to add to their imaginary punk rock rap sheet.
“In the late '90s I moved to Oakland and fell headfirst into the scene. While the music by then had moved into crustier grind stuff, that exciting, punchy earlier music captivated a new generation of songwriters. That music still finds its way onto our turntable on a regular basis.” Dr. Cain said. “Some influences just die hard—but that doesn't mean we'd claim punk band status. I mean, we consistently advocate for 'more glockenspiel' in the studio. That ship sailed a long time ago!”
True to form, the Crushers have no plans to put out a string of hardcore hits. Instead, they'll continue to walk the line between retro and right now. What could be next for these troublemakers? Like digging through the discount bins, it's anyone's guess, really. With the Crushers, one should only expect the unexpected.
“Nostalgia is not inherently cool or even a little bit dangerous,” added Hayley. “But then again, we never set out to be either of those things!”
The Thom Conde Project - Buffalo, NY
Music video for the Thom Conde initial release After Tomorrow...
Music video for second release Dying to Live...
JT (Joe Tell): Which Thom Conde Project song do you think you sang the best on?
PV (Peter Vincent): You're asking the wrong guy! At my age, I'm just glad I made it through each recording session without needing medical attention! The songs are (After Tomorrow, Dying To Live and Zero) pretty demanding vocally, but they have to be as intense as the riffs that Thom writes and the band, in turn, intensifies...luckily, I get to dictate melody, cadence and key so I'm not at the mercy of someone else writing out of my (vocal) range. All in all, I think the whole body of work (released and unreleased) is my best hard rock endeavor to date.
JT: Is there plans for a full length Thom Conde release?
PV: Hmmmm...that's for the fates to decide! The Thom Conde Project, or TCP, (TM pending...) was born from the pandemic, as were many creative endeavors during it's reign of terror. With restrictions is place, we focused on recording music and producing/releasing videos, knowing we were onto something but not knowing how long it would last. I guess we'll answer that question when we've recorded and/or released enough songs to warrant a full length release.
JT: What song is the best musically in your opinion?
PV: I might be biased...but my favorite song seems to always be the one we're presently working out!! Really! All the songs (riffs, basic structure, title and often lyrics) start with Thom Conde (hence) but, that being said, there's no one person that dictates where the song goes. Everyone contributes, everyone has a say. We all whittle away at it until it makes sense to all of us. Drummer, Vinnie Andalora and Bassist Bruce Irwin never cease to amaze with their ideas as to what each song needs which is never confined to just the instruments they have mastered. Vinnie's vocal harmonies are usually written by him and Bruce has a particular ear for structure and nuance! That's my favorite part of the whole experience...hanging out with my brothers. Add recording the final product with Michael William Hatalak at the desk and that's the icing on these demented little cupcakes we keep churning out...mmmmm...yummy!
JT: What are your long term/short term goals?
PV: Short term goals: Saving Rock and Roll, One Song at a Time. Long term goals: Saving Rock and Roll , One Song at a Time...Music available on all streaming platforms!!!
The Thom Conde Project management/PR team is called The Thom Conde Divas. The Thom Conde divas will be in full force at the merch table for the show on 3/26.
JT: Who are the world famous Thom Conde divas?
PV: Our Thom Conde divas (or 'Con-Divas' if you will...) are our Street Team dedicated to public relations, advertising, marketing, merchandising and injecting ALL of the common sense into our organization that we in the TCP lack as neanderthal males! A BIG shout out to our ladies: Karen Irwin, Kelly Rowe, Danielle Bevacqua, Kimberly Ann Jenczewski, Jasmine Armenta, Paula Croisdale, Debbie Ann Fifield and Becky Chappell-Marchetti. Their enthusiasm for our music and our mission is unmatched and VERY much appreciated!! There's also a FB group named the Thom Conde Project Diva's Group with over 200 other Divas helping us to Save Rock and Roll, One Song At A Time!!!
Latest Stemm, His Name Was Yesterday, Thom Conde Project 3/26 show flyer.
George Puleo is a Buffalo music icon whose guitar playing never fails to entertain, amaze and impress. His latest musical project is the jazz fusion powerhouse The Damone Jackson Outcome. The band is currently working a new album called Unstable. George has lent his guitar playing talents to many recording projects recently and has released albums with Haiku, The Need, Gamalon as well as releasing a solo album. My first musical memory of George was seeing him sit in with The Tweeds (Talas). I wanted to share some of George's musical insight and his unique outlook on the world of music. George agreed to do an interview for me and I am happy to share it with you on my music blog.
1. Please describe your first musical memory: Watching The Beatles live on the Ed Sullivan show with my 2 older sisters in Feb. 1964.
2. Who or what influenced you to start playing the guitar?: A 1-string plastic toy guitar I found in the alleyway on the way to school when I was 5.
3. Who are your favorite musicians and bands from the past and present?: John McGlaughlin, Alphonso Johnson, Damone Jackson, Jimi Hendrix!
4. Is there any song or musical passage that never fails to move you?: The Look Of Love by Dusty Springfield.
5. What is your favorite guitar and amplifier? My modified Strat (Strats in general) and my Roland JC120/90.
6. What musicians would you be anxious to meet, past or present? Jimi Hendrix, Robert Plant, Seal.
7. How would you describe your perfect day (musically or otherwise): Feeling appreciated, No Drama, Good Food! and jamming with the Damone Jackson Outcome.
8. How long have you been playing/performing with the guitar? 50+ years.
9. What is your next musical project? The 2nd release from the Damone Jackson Outcome which is almost done!!
10. How do you stay inspired? Gratitude.
11. Where can fans buy your music? Record Baron, 3048 Delaware Ave., Kenmore N.Y. 14217, Noon - 6pm Tues. thru Saturday. Discogs and all digital platforms.
George Puleo-Guitar
Jason Moynihan- Guitar, Saxophone, and Ewi
Jack Kulp-Fretless Bass
Damone Jackson- Drums
Some of George's musical highlights include ...
HAIKU. Haiku included local musicians Jim Wynne on Bass and Keyboards, Hugh Arthur on Drums, George Puleo on Guitar and Spencer Bolden on Percussion. Track listing includes, Univibe, Diamond Butterfly, That Summer Night, Chasing Jeff Beck Down A Dark Alley With A Loaded Guitar, Silkie and Tempest. Artwork is from Haiku's 2013 self-titled release.
In 1993 George had the opportunity to record some songs that were not at all right for Gamalon with keyboardist Bob Volkman @ John Valby's studio, the end result was puleo so low. The cover photo is from Gamalon opening up for Larry Coryell in Rochester, N.Y. @ the Red Creek in 1991 or 92. George on guitar & bass/Bob volkman on keyboards/Reggie evans on drum sounds. http://cdbaby.com/cd/puleo2
Vessels to Motherland - NYC, NY
Bridging the ancient with the new, electroacoustic duo Vessels to Motherland create a music of its own breed, steering between heavy industrial and evocative ambient, navigating through seas of psychedelia, journeying with humans and robots alike.
Their debut album, MACHINE LIEDER, is a collection of songs by machines imbued with human urges. Screaming out of metal shells are memories of distant worlds, cries for lost connections, dreams of a digital utopia, soliloquies on the human condition. A song cycle for cyborgs, it expresses the complexity of the modern world. It is a return to sources and a scratch dance of immortality. A bright whisper from the future, and a muffled scream from inside the power plant. Living between chaos and order, the sound of Vessels to Motherland exists in the in-between, the interzones of human experience, at the junction of methods.
Vessels to Motherland consists of composer/producer/pianist Danica Borisavljevic, and composer/producer/violinist Nikita Morozov, based in NYC.
The union of the two classically-trained musicians coincided with a mutual calling for electronic music, psychedelic soundscapes, and otherworldly sound treatments. With decades of concert hall performances behind them, Borisavljevic and Morozov have synthesized a new chapter, a reminiscence from the future, with sails reaching to Roedelius’ piano tones, chains tied to Nine Inch Nails’ raw distortion, anchors extending to Murail’s spectralism...
In 2021, in collaboration with the New York Institute for the Humanities and Social Studies, Vessels to Motherland founded the NYCKeyboardFest, a 1-day festival featuring music performances for any keyboard instrument, both electronic and acoustic (synthesizers, piano, piano+electronics, toy piano, etc.)
http://www.vesselstomotherland.com/
http://www.instagram.com/vessels_to_motherland