Friday, January 29, 2016

Michael Biddlecom - Strange Therapy


UPDATE: Michaels newest CD release is entitled Strange Therapy.
Pick up your copy at Record Theater today!





Mike Biddlecom is a prolific songwriter and accomplished guitarist who is working on a new CD release. Included are a sample of Mike's latest Youtube posts', I'm sure a couple of these songs will be on the new release, check 'em out and get a preview...

The Stars look down tonight from 12/11
http://www.youtube.com/watch?v=-IwDMEGuQh4&list=UUK90ol2j2yC1rOu9RfgftXg&index=12
The Truth from 12/11
http://youtu.be/UBUWYxeHPi4
Emeralds from 12/11
http://youtu.be/kO1XxZWKZYM



Sunday, January 24, 2016

Saturday, January 9, 2016

Band 101 - Number 4


Welcome to another installment of Band 101. Band 101 deals with the problems you may have to contend with as a member of a full band. More specifically a cover band who plays hit songs in local bars to earn extra money. I have 34 years of experience dealing with many of these problems firsthand.

Any potential member of any working cover band must realize before joining that they may end up playing, at least 1 song they may not enjoy at every gig. These songs may stay on the set list, especially if the girls get up and dance every time the band plays them. By giving the people what they want your band will build and keep a loyal following. If you're not willing to play a few of the same songs at every gig then you should definitely not start or join a working cover band.

Learning new songs is essential to keep things interesting for everyone in the band as well as the audience. It's best if all the band members agree on all the new songs that will be added. If you're easy going and willing to play songs that 1 or 2 members in the band choose then things will go smoothly. If you can't all agree on any given song it's best to take a democratic vote to keep things fair. Every band should work as a team in order to keep every band member happy. Once everyone agrees on a few songs to add it's best for everyone to learn them at home before attempting to play them at practice.

When trying to add new songs it's very important to be able to listen and realize when a song isn't sounding good at band practice. Trying to soldier on with a bad sounding song can put a damper on a good practice. It's best to drop bad sounding songs and just move on to the next song, if you can't agree on whether or not to drop any song, again, it's a really good idea to take a democratic vote to keep the peace. Any one song, no matter how much any one particular member may really love it, is not worth keeping on the set list if it sounds bad. You can't let your love for any particular song get in the way if it's not working out. Remember that the band can always learn a new song to replace a song that sounds bad. If individual egos get in the way a "even if it's bad it's good" song policy can really stifle any positive progress the band can ever make. Many songs can end up sounding bad, this is not a good thing, especially if you want to keep a following. Being flexible with a song list and smart enough to keep good energy flowing are often overlooked but these are a couple of key elements if you desire to keep a good cover band together.

It's important to recognize your weaknesses and play up your strengths when learning new songs.
A potential new band song may sound great when you're singing and playing it at home alone with your acoustic guitar but suffers when played with the entire band.

If you're inexperienced you should be open to honest and constructive criticism from fellow band members when practicing new songs. This is a good thing. It's a very bad thing if you're ego gets the best of you and you can't accept any kind of criticism from your fellow band members. Just wait until you get up in front of a hostile and intoxicated audience! They do not hold any comments back no matter how well you think you are playing and performing!

OK, back to learning new songs, if 1 or 2 band members learn the new songs and a couple haven't yet it's best to put these songs aside for next practice. It may seem like a good idea at first but you should never try to go ahead and teach the band members who don't the songs how to play them during practice, this is a bad thing. Trying to teach them can become a very long and tedious process, especially if that player isn't a quick learner. The band members who already know the songs will become increasingly bored the longer the lesson continues. They now have to find something else to do and that something will probably be interrupting you while you are attempting to teach the song. They may even leave the room and become disinterested in continuing practice altogether. If and when the lesson ends you may have to find everyone, get them back together and convince them all to continue practicing a song that the member you just taught may still not know good enough to even bother playing. If this becomes a regular thing then that member will stop learning new songs and will start to rely on you to teach them to him at practice, this is a really bad thing.

Going ahead and playing the songs without the entire band knowing them is not a good idea either.
If you play the songs the end result may be a really bad sounding attempt at a potentially good addition to your song list. Playing any new song badly over and over again is a great way to kill any positive momentum you have flowing at a good practice. It's important to develop good listening skills in order to realize when a song isn't really working out. Another result can be that if the members who haven't learned the songs play the wrong notes or the wrong groove the fluffed part will probably end up being the part they continue to play every time. Especially if everyone in the band says "that sounded great!" after the song is over. Why should that player bother learning the correct notes if playing it wrong or just plain bad "sounded great"? If a fluffed part "sounds great" then they may begin thinking that they can get away with fluffing their parts for all of the songs, this is not a good thing. If you are always fluffing parts and you can't be bothered to put the time and effort in to learn songs correctly you should not join a working cover band.

It's important to realize that the entire band should work as a team, no one's singular opinion should ever be considered more important than any another band members. If you think your opinion is better than everyone else's then you are letting your ego get in the way. This is not good thing. Stubborn egos will result in a member quitting, the band constantly changing members or a break up.
If you want to keep a good working band together for awhile it's a really good idea to put your ego aside and do what's best for the band. If you can't do this you shouldn't start or join a cover band.

Through my 34 years of musical experience I've learned that it takes at least one solid year for a new band to really gel and sound good when playing together. If you don't think the audience can hear the difference between a seasoned line-up of good players who have learned to play well together and a bunch of new members who have thrown together a set list to play out then you're fooling yourself because they can.

Experienced cover bands realize that it's a really good idea to have a ton of great sounding songs ready to play so the songlist can be a little different every time you play out. A song that doesn't go over in one bar may work well in another. Playing the same setlist will get old real quick and may lead to a member quitting or the band breaking up out of sheer boredom. If the band you're in can't be bothered to learn any new songs band members may turn to alcohol, drugs and the most dreaded scourge of any band, overplaying! to keep thing interesting when practicing and playing out.

Please email any inquiries to jtellfotos@yahoo.com, thank you.

Tuesday, December 29, 2015

Bully - Feels Like CD review





I first heard of Bully through one of their opening bands from their current tour called Heat.
(see show review)
I found a great youtube video of Bully playing the song Trying live on the Conan O'Brien show so I was eager to see the band live. The song that really hooked me into Bully was when I first heard Milkman, which is also on this CD but I'm getting a little ahead of myself.
Feels Like starts off with I Remember. The opening track is chock full of youthful rock energy and ends rather quickly, leaving the listener wanting more. Alicia Bognanno screams through the song but still manages to convey heartfelt emotion and sentiment through the lyrics. Great opening song.
Reason keeps the energy level high and continues along the same vein as I Remember. A melodic lead vocal and guitar line carry the song along into a heavy crescendo.
Too Tough plods along with a heavy groove that immediately hooked me in with it's melodic simplicity. The lyrics seem to be describing the break up of a relationship. The vocals have a come hither quality that is hard to ignore.
Brainfreeze is another up tempo rocker that could be described as punky grunge. Smells like a college radio hit to me.
The first single from Feels Like is the somewhat controversial Trying. The lyrics convey the feeling of a troubled youth who is trying to deal with a uncertain future. Alicia proves why she took the torch from Courtney on this one with a great vocal performance that is full of angst and exciting energy.
Trash features some great guitar noises combined with notes of dissonance to create a heavy sound. The low key to screaming vocals are a perfect topping for the guitar interplay.
Six is a punk rock song. Fast and full of energy and exuberance.
Pictures is another great rocker with a kick ass bass sound and a new wavish chorus.
Milkman is my favorite song on Feels Like. The raw energy that the band exudes is infectious and the music has a aggressive edge that really raises the cool factor of the song. Just as the feeling of the song hits you it's over in a flash.
Feels Like ends with the song Bully. This song is another aggressive rocker that keeps the overall energy of the CD flowing in the right direction. Love the harmonic blending of the bendy guitar notes with the vocals.
I would definitely recommend the Feels Like CD to any college radio, punk rock, grunge or alternative rock music fan.


Sunday, December 6, 2015

Band 101 - Number 6


Band 101 is a blog series that deals with the in's and out's of being a participating member of a working cover band.

Entry number six deals with a somewhat controversial subject, using cheat sheets when playing live. First off, no matter what any band member may say cheat sheets are OK to use if you can't remember the words to a song or the chord changes. Practicing a song at home is great but playing live is very different, sometimes memorizing a song can be hard no matter how many times you may practice it at home. Cheat sheets are a great tool on the road to memorizing any song. A no cheat sheet band policy is really not a good thing, as at least 1 band member may need them to perform confidently. It's not uncommon for a famous recording artist to use cheat sheets so I think it's OK for any local musician to use them. I've witnessed famous recording artist Lucinda Williams use a songbook onstage. Lucinda wasn't glued to her songbook so it didn't detract from her outstanding live performance. It's no secret that Ozzy Osbourne of Black Sabbath fame has the words to his songs continuously displayed on a fake monitor out front. This is the best way to do it but not all musicians have the technology or the budget to do this. The absolute best way for a working musician to "cheat" is to have a ipad or computer device set up on your mic stand so any quick glances can go unnoticed while performing. Finding a special attachment for your mic stand is easy to find if you want to buy one for your ipad. If you don't have a ipad I found the best way to make a cheat sheet is to write in big, bold black ink, any notations on a large sheet of foldable white paper. Be sure print your notes in big, black bold lettering. Using any other color ink will render your cheat sheets illegible once you find yourself under colored stage lighting. The best place to put any cheat sheets is on the floor directly in front of you. If you're playing a club that provides monitors you can tape them to the front of your monitor to hide them from the crowd, this will not affect the sound from the monitor. Lyrics can be taped on a side fill. Be sure to place them directly in your line of vision so you see them while you're singing. I found that cheat sheets are the absolute best way to defeat any crippling self doubt you have with any song you're not sure on. Be sure not to spill any liquid on them so you can use them for your next gig. The main thing to remember is that if you find yourself looking at your cheat sheets more than the audience you are supposed to be performing for then you are relying on them too much. Clearly, memorizing a song is the best way to go.


Saturday, December 5, 2015

Band 101 - Number 5


Band 101 is a blog series that deals with the in's and out's of being a member of a working cover band.

Episode 5 deals with the fine art of improvisation within the fairly strict confines of any cover song. Unless you're going into the studio to record a unique version of a cover song it's best to learn any cover song the proper way before trying to improvise with the chords or the arrangement. Especially if your band plans on performing the song live in front of an audience. Playing any song the proper way gives the audience a chance to recognize the song. If you change the arrangement or decide to get fancy straight away the audience may become disinterested in your band's special version. Once you have the crowd hooked in by playing a song the proper way you can then start improvising or jamming, if that's what your band wishes to do. Playing a song in the proper way will probably be enough to impress of bar full of people. But once you begin improvising or jamming you can then show off your unique talents in an attempt to further impress the crowd. A high energy guitar, bass or drum solo can boost the energy level of any crowded bar room. Once you notice the crowd beginning to lose interest in your jamming, it's best to go back to the original groove and close the song out. Some cover bands choose not to improvise, but once you start learning how to read crowds you can jam out as much as you like. Jamming on a good groove, especially if the girls are dancing out front, can raise up the energy level of any room. The art is knowing when to jam at just the right moments in order to continue holding the crowds undivided attention. All of these jamming judgement calls come with years of experience and a proven set list full of crowd pleasing songs. Jamming gives your bands soloist something to look forward to as well as your loyal following. Once your band earns the reputation of a being a good jamming band chances are your following will be chomping at the bit wondering when your band will cut loose and let some solos fly.

Artvoice Newspaper - Buffalo, NY


 2/19/15: The Artvoice webpage has corrected my pen name on the weblink for my Southern Bastards review to Joe Tell, however the name on the review webpage is still Jack Dumpert. The current issue has the real Jack Dumpert as a reviewer for Fury Max: My War Gone By.

 2/18/15: After a visit to Queen City Bookstore recently it turns out that Jack Dumpert is a real person who will be submitting reviews for Queen City and Artvoice in the future. Since I didn't sign my last review somehow it was assumed that Jack Dumpert submitted it. Needless to say I will be signing all of my future reviews as Joe Tell to avoid any more mixups.

Original post: In the most recent issue of the Artvoice newspaper, the only arts & entertainment paper in town worth picking up to read, my pen name has been changed, once again, this time to another new alias/pen name Jack Dumpert...?
I think it may be interesting to follow my pen names throughout because it may make for some interesting "blogless blog" reading, so here we go,
Once again the newest issue, 2/12 - 2/18 the Southern Bastards graphic novel review by Jack Dumpert.
http://artvoice.com/issues/v14n6/graphic_traffic/southern_bastards




















1/29 - 2/04 issue The Underwater Welder review by Joe Miletto.
http://artvoice.com/issues/v14n4/graphic_traffic/underwater_welder














1/8 - 1/14 issue Thanos Rising review by Joe Tell.
http://artvoice.com/issues/v14n1/graphic_traffic/thanos

























12/24 - 1/7 The Joker review by Joe Tell.
http://artvoice.com/issues/v13n52/graphic_traffic/the_joker

























12/11 - 12/17 Batman '66 review by Joeseph Tell.
http://artvoice.com/issues/v13n50/graphic_traffic/batman



















Anyway you spell it's still me, Joseph Militello.

My sincere thanks to Emil from Queen City Bookstore and Artvoice newspaper for publishing my reviews, in print and online.

Thank you!!

Tuesday, December 1, 2015

Band 101 - Number 1


Playing in a band can be difficult at times.
Especially if you want to earn a living playing music.
Band 101 is going to focus primarily on some the trials and tribulations of playing in a working band. By working band I mean a full band that covers other peoples hit songs. Working bands usually play in local bars in an attempt to earn extra money.

The first Band 101 post deals with an issue that you may or may not have dealt with if you play a electric guitar or bass with a guitar strap. The issue is playing unbalanced guitars that are neck heavy. By neck heavy I mean that when you take your fretting hand off of the neck the head-stock and the neck of the guitar point down toward the ground, away from your body. Playing a neck heavy guitar can be a distraction because you always have to hold up the guitar neck while playing notes on the fretboard.
When you purchase a guitar online it may be neck heavy and you won't find out about it until it's delivered to your home and you proceed to put a guitar strap on it. If the neck droops down when you stand up then you have yourself a neck heavy guitar.
If you currently play a neck heavy guitar and you are comfortable with it then you're lucky, I find that a neck heavy guitar can be quite a distraction if you want to concentrate solely on the notes you're trying to play. Neck heavy guitars can also cause a problem if you plan on moving around and performing on a stage. You always have to pay close attention and be aware of the position of the neck so it doesn't hit someone or something onstage.
I recently found a easy solution that doesn't require any expensive mods to your guitar and no monetary investment to fix the problem.
It's a surprisingly simple solution, first take the guitar strap off of your guitar. Thread the lower part of the strap, the part closest to your waist, through a belt loop on your pants. Or you can simply thread the strap between your belt and your jeans. Then reconnect the strap to the guitar. You'll find that this simple solution solves the problem of playing a neck heavy guitar.

Thursday, November 26, 2015

The Alluring Art Of Margaret Brundage: Queen Of Pulp Pin-Up Art Book Review



THE ALLURING ART OF MARGARET BRUNDAGE: QUEEN OF PULP PIN-UP ART 
By Stephen D. Korshak and David Spurlock (Authors), Margaret Brundage (Artist).
  Book Review By Joe Tell.
The Alluring Art of Margaret Brundage: Queen of Pulp Pin-Up Art is a very entertaining and interesting read. The book sheds new light on the life and career of legendary Weird Tales cover artist, Margaret Brundage. Margaret’s lush and alluring paintings created great controversy in the 1930s. Her lavishly colored artwork featured scantily clad young women bearing whips and wielding knives that were menaced by all types of monstrous beings. Margaret’s innovative and shocking artwork was in high demand because her covers sold the most pulp magazines. The best part of this book is all of Margaret’s stunning, pulp magazine cover art for Weird Tales, Oriental Stories, Magic Carpet and Golden Fleece are all compiled together along with some never before seen, unpublished work. Many of her covers featured gothic fetish themes based on the stories that were published within Weird Tales. Stories that were written by renowned authors like H. P. Lovecraft, Clark Ashton Smith, Robert Bloch and Conan the Barbarian creator, Robert E. Howard. The second part of the book reveals, for the first time ever, the secret life that Margaret led apart from the pulp magazine scene. She and her husband Slim were political activists who took part in the birth of the American counterculture. Margaret Johnson and Slim Brundage first met at Chicago’s infamous Dil Pickle Club. The club was known as a speakeasy but its members also participated in the highly political causes that defined the Chicago Renaissance. The Dil Pickle Club was at the center of a diverse subculture that encouraged free speech and rallied for workers and civil rights at a time when activism led to blacklisting. This is essential reading for any fan of fantasy and horror art.


Thursday, November 5, 2015

JiBmaster - Buffalo, NY


JiBmaster - Happy Flapjacks



Happy Flapjacks was released by the members of JiBmaster as a tribute to the JiBmaster himself, Jeff Borycki after he passed away unexpectedly. Go to www.jibmaster.net to hear the music.



JiBmaster - School Pizza




 Who is JiBmaster?
For those who don't know, JiBmaster is a Buffalo-based original rock band.  With a particular, nearly-retro guitar-based sound, distinctive, catchy songwriting, and "not-your-usual" subject matter, you'll soon come to know when you are hearing a JiBmaster tune.  If there is a category for the music, I'd have to call it "Novelty Stoner Folk(ish) Rock".  The music was written entirely by the band, and recorded in a basement studio.  I produced the album - for the first time in my career acting solely as producer/engineer, and not performing :)
Perhaps best of all, School Pizza features the performances of many other great musicians from the WNY area: guitar solos, viola, trumpet, & more ear candy is scattered all over the album.

Visit JiBmaster.net

The JiBmaster website is up and functional!  You can:
See the full album artwork and credits
Download all the songs (free!)
Leave a message for JiBmaster
Even give a donation to help the cause
There are more features to come, including live photos, videos, exclusive JiBmaster merchandise, and who knows what else... 

Purchase or Preview the Album at CDBaby
The CD is also available at CDBaby.com!  You can preview the entire album for free, and buy only what you like ($0.99 per song, or $5.00 for the whole album).  Old Timers: You can even order a real live physical CD!
Even if you're too cheap for that (like me), you can at least go to CD Baby and download the single "Spread it Around" for free.  It will help put JiBmaster on the digital charts!

Spread it Around!
If you like the album, please tell your family, friends, neighbors, co-workers, chiropractors, mistresses, drug suppliers, and mortal enemies!  We hope you enjoy it, and thanks for your support!
-Mike Boncaldo & JiBmaster

Thank You, Mike!