Music Blog covers the Underground/Indie Rock Music Scene in a positive manner with a focus on the WNY area. Bands and promoters are encouraged to submit promo material/CDs for review. Listening to new music with an open mind is important and I enjoy listening to creative bands that aren't afraid to break new musical ground. This blog isn't about Joe Tell it's about exposing new music and promoting new bands that want a push. I also post about any interesting topic that may cross my mind.
4/29/17 Forever Green Repercussions CD art.
Thanks you to Loft Studios and Jim Sommer for putting it all together.
6/11/16: Aside from reviewing local music and writing graphic novel reviews I also record original music with my friend, Danny Manzella as Forever Green. We just released a new song called 8 1/2 foot Ganja Bush which I am really proud of. Originally a duo, Dan and I like to have our good friends come down to contribute parts to our original songs. It's interesting to hear them play along and it makes the entire recording experience that much more fun as they each add their unique talents to our music. I would like to recognize everyone's contributions to the song as well as Dan's unique vocals and Mike's outstanding drumming. Great Job and Thank You!
8 1/2 foot Ganja Bush began a simple basic track so we agreed that there was plenty of room for soloing and improvisation from a few good friends.
Here's the breakdown of guest stars and what they added to the final mix.
My old friend, Jack Branka, agreed to play electric guitar as I played acoustic guitar on the original session. Jack played guitar in my first band so I thought it would a great idea to have him come down and play. He played awesome and his rhythm/lead guitar work is heard prominently in the mix. As I listened to the first few takes of the song I thought it would be great to have a female vocal singing along. Jenelle Duguay agreed to sing and her outstanding vocals add alot! to the overall sound of the song. Brian Pond added some really cool sounds with his wah-wah lead guitar. Last but not least, Tommy Leach Jr. contributed a sweet sounding lead bass solo and Justin Leach added a fourth lead guitar. Their playing comes into the song later around the 6 minute mark or so. Mike Boncaldo mixed and mastered the song which will be on a new Forever Green CD sometime soon. We hope you enjoy listening to the song as much as we enjoyed playing on it.
If you want to hear the 8 1/2 foot Ganja Bush song here is a direct link to it through our Reverbnation music page https://www.reverbnation.com/forevergreen2/song/26079670-8-12-foot-ganja-bush
Facebook music page link https://www.facebook.com/Forever-Green-557646644428742/
Thanks for listening and any comments are welcome.
10 Years In The Baking CD art.
Update 4/14/16: Big Thank you to All Music & All Bands for the fantastic review of 10 Years In The Baking...
"10 Years In The Baking"
This acoustic Americana duo are Danny Manzella - All Lyrics, Lead Vocals, Harmonica, and Joe Tell - Guitars and Bass, with a host of guest players who helped bring this cool menagerie together. Danny also plays with 55 Main, The Lost Riders band and Jimmy Munt and friends. Other seasoned musicians on this disc are: Tony Chimera on Percussion; Vince Mastrantonio (The Vincent James Explosion, Carina & The Six String Preacher) - Producer; Brian Pond - Lead Guitar; Tommy Leach Jr. - Bass; Justin Leach - Lead Guitar (both from the River Rocks band), and Mike Boncaldo (Chunkpipe) - Drums. Special guest Rob Loiacano on Eggshaker for Melody For Maria. These various musicians make appearances and lend their talents to this 16-song debut CD, with some remoxed material from their first EP, with many interesting additions.
Getting it all going is "Senorita", going for an old-west type sound, like an outlaw and a Mex that's not enough, Tommy Leach Jr. is laying down solid bass. Drums are supplied by Mike Boncaldo. It's a story of a man in love with someone, whose father doesn't approve. The first verse says it all, "I know a girl Mariana, her presence set me afire, her flame was like the night, full of lust and desire. She walked from the canteena, from there I was under her spell, to me she seemed like an angel, could it been the wishing well. One night her Papa saw me creeping out the door. He screamed, I'll kill you señor, you won't see my daughter no more. She looked out from the window. She screamed: 'No Papa, No.' He came a-runnin' at me, now Papa run no more." The chorus here is sung like a serenade! "Empty Room Jump", actually a darker tune than one might realize, written about a man whose girl ain't comin' back. Tommy's brother Justin Leach is an incredible lead guitarist, and it's quite evident in his solo. Tony Chimera has his infectious percussion going. We love the guitar, which brings a fresh sound.
Just a simple ballad with a certain feel, "A Girl's Name", and one of their very first recordings as a band, is an acoustic-laden track. The singing and lyrics are emotional, "Sometimes I can't stop a tear from falling up in eye, cause I can't help it baby, I feel for you. I can't help the poor, not every single poor man I know, but I can try to do my part, each day, by and by."
"She Left" features Brian Pond laying down a superb groove, with Dan hopping in and improving the tune with some harp. Tony is chugging along with his style of bongos and various other percussion instruments. Love the mellow vibe and simplicity. Danny sings with passion and right from the soul. Strumming rock, upbeat acoustic and furious singing is how "Saw A Rose", kicks off and continues. It's definitely one of our favorites. It tells a tale of disillusionment over a relationship gone south. "Saw a rose, was not red, saw a rose, was not red. The place we sleep at night, is just our bed. See at night it's just our house, ain't no love nest baby, it's just our house, just a husband, just a spouse. Blue I feel is all around, when you shout and scream and try to run me out I think we know, Lord we just don't save. Go on and with it babe, there after day. Yeaaa!"
Clean with pleasant sounding acoustic guitar begins "I'd Find My Way". It's mixed in a slightly different vocal track. It conveys a feeling of sitting around and jamming, and having a great time. "When You're Near Me" is a slower, more soothing tune, with its harmonica, bongos, and fine bass lines by Tommy Leach Jr. Vocals here are lower toned, yet still powerful. We truly enjoyed the music, singing, and all the other elements cleverly placed, making it another one of our favorites. The chorus "Cause it's you and me babe, I get the feeling it will always be. Yea, it's you and me babe, when you're near me I feel free", are lyrics that bring a warm, loving feeling, and such a positive vibe. Enjoying the harmonica and pleasant chords on "To See You Again" (one of their older songs) was performed live, but was never recorded or released until now.
A well-written and performed guitar intro pushes us into "Waves". Written about many different kinds of waves, it's an older song, which was a task to sing live for Danny. Powerful guitar strumming and more fantastic vocals again here. It's the duo at its finest! It's a slightly different version than the live one on their debut, with no percussion.
A rockabilly and country blending makes for a cool mix for the theme behind "Greener Pastures". Again, it's another of their older classics from the early days. In between the verses, a mean harmonica plays out.
"Horse Behind The Plow Blues", is a simple blues tune the band keeps coming back to. Playing alongside them on Lead Guitar is Brian, another appearance by Mike on Drums and we can't keep Tony away from adding his talent!
"Final Wish Before Goodbye" is a song written about an indecisive man trying to determine where his relationship stands. Slowed up, with ringing guitar and vocals, and the harmonica was brought out for the occasion.
In "Fall Down Blues", Danny's singing his lungs out with lines like, "If you look at me and told me you wish I was dead, I'd still love you baby, I'm like that in the head"; and then, "a trip up the country thought would do us good. Instead treats me like a dummy made out of wood". He showcases his soulful and bluesy voice, and sings with heart. Acoustic guitar, uptempo rhythm and incredible vocals really make this a fun song to listen to. If you love Folk/Americana rock then this is your jam! We enjoyed the lyrics, speaking of going out to country, just to get away and clear the mind. It was their first song recorded as a band, and used to kick off a few of their shows too; it's the one that started it all.
One of Joe Tell's all-time faves is "Old Dead Flea Blues", describing an acid-drenched trip through the Everglades. With aggressive guitar that has attitude, an unexpected change to a bluesy-based bridge keeps the ears intrigued.
Talk about an old school vibe, "Exactly What You Did" does exactly that, sounding as if it's being played on an antique turntable, with all it's perfect imperfections. The mood that comes to mind is of being in the swamps and hanging on the porch, and is the finest of the blues! Standard beat, harmonica and gritty vocals are featured here.
Concluding this awesome release is an instrumental written by Joe, dedicated to his wife, "Melody For Maria." The track was produced by Vincent Mastrantonio (Vincent James Explosion, Carina & The Six String Preacher), Joe Tell is featured on Lead Guitar with yours truly on the eggshaker.
Thanks to Joe for providing this CD for review and giving us the opportunity to share great new music, with powerful lyrics and vocals! Please visit their Reverbnation site or CDbaby.com for information on the band, their music, and upcoming events.
"Empty Room Jump"
"A Girl's Name"
"Saw A Rose"
"I'd Find My Way"
"When You're Near Me"
"To See You Again"
"Horse Behind The Plow Blues"
"Final Wish Before Goodbye"
"Fall Down Blues"
"Old Dead Flea Blues"
"Exactly What You Did"
"Melody For Maria"
Update 3/26/16: Forever Green - self titled - EP review
Forever Green is a musical collaboration between musicians Dan Manzella and Joe Tell and the title of their new five song EP. Treading territory somewhere between Father John Misty and Hot Tuna the album is a stripped down affair with most tracks feature just guitar, bass and vocals with the occasional harmonica or percussion. "Fall Down Blues" and "When You're Near Me" are straight up acoustic blues numbers while "I'd Find My Way" is a slow ballad and "Joey's Song" an instrumental is almost in the realm of psychedelic mysticism with its experimental sounds. Rounding out the album is "Waves" a track that was recorded live at the Tudor Lounge. For more information about Forever Green visit them on the web at www.reverbnation.com/forevergreen2
Review By Bob Silvestri http://www.bestofwny.com/
Thank You Bob!
Update 3/3/16 Forever Green to be continued!
What a great time tonight with our special guests Joe Tell and Danny Manzella. A big thanks to Linda Hastreiter for giving us the scoop on our upcoming benefit Variety Show on March 11th at and for The Iron Island Museum. Download the show and take a listen. We guarantee you will giggle. http://www.thinktwiceradio.com/patsy-dottie/audio/160303a.mp3
Update 2/15/16: Forever Green would like to thank Rob from the All Music/All Bands Facebook/Reverbnation music site for reviewing the Forever Green EP. Thank you Rob!
Here's the complete review...
Forever Green "Forever Green" CD Review
This two piece Folk, Acoustic based band out of the WNY area is made up of Danny Manzella (55 Main and The Lost Riders Band) - Lead Vocals, Harmonica, and Joe tell - Acoustic & Electric Guitar. Guiseppe Tell is listed as playing Bass. The CD features guest musicians, Vincent Mastrantonio ( The Vincent James Explosion, Carina & The Six String Preacher ) - Lead Guitar / Keyboards on Joey's song, Tommy Leach Jr. - Bass on When You're Near Me, and Tony Chimera ( 55 Main ) - Bongos, percussion on When You're Near Me.
Really enjoyed the first track, "Fall Down Blues". Danny's singing his lungs out with lines like "If you look at me and told me you wish I was dead, I'd still love you baby, I'm like that in the head" and especially on "A trip up the country thought would do us good. Instead treats me like a dummy made out of wood". A very soulful and bluesy voice and sings with heart. The acoustic guitar, up tempo rhythm and incredible vocals really make this a fun song to listen too. If you love folk / Americana rock this is for you then. I enjoyed the lyrics, telling the story of going out to country, just to get away and clear the mind.
"When You're Near Me" is a slower and soothing tune, with it's harmonica, bongos, and fine bass lines by Tommy Leach Jr. The vocals are lower toned, yet still powerful. I truly enjoyed the music, singing, and all the other elements added, making it one off my favorites. The chorus "Cause it's you and me babe, I get the feeling it will always be. Yea, it's you and me babe, when you're near me I feel free" are lyrics that bring a warm and loving feeling. Such a positive vibe. Clean and a pleasant sounding acoustic guitar begin
"I'd Find My Way". Mixed in slightly different vocal track. This track gives me the feeling of sitting around and jamming, just enjoying life.
"Joey's Song" is an instrumental dedicated to Joe's son Joseph. A precisely played guitar, the sound is perfectly clear, you can hear every note ring out, along with a low siren sound in the background is the first part that segues into a strumming guitar and thumping bass. To close it out, they have a special guest Vince Mastrantonio play an incredible guitar solo. Some sweeping and bending of notes on the neck and frets, shows why he is one of the best around.
"Waves" is a live song that gives you a taste of what this band is about. Acoustic, vocals, and a bongo all make a cool song. The energy is positive and gives a soothing feeling. This CD is just a sample from the band. They are working and finishing up their new disc.
Thanks to Joe for sending in the CD. Really loved listening to it! For more on the band, music, please visit Reverbnation or their cdbaby page.
Tracklist: "Fall Down Blues' ( 2007) "When You're Near Me" "I 'd Find My Way ( Vocal Remix ) "Joey's Song" ( Dedicated to Joseph Jacob Militello ) "Waves" - live Tudor Lounge 03/04/12
Thank You Rob!
Update 1/28/16 Forever Green on The Patsy Silver and Dottie Kenney Variety Show
What a wonderful conversation with the talented Joe Tell and Maria today. A huge thanks to Ed Honek, Editor of Nightlife Magazine, for giving us the scoop on the Nightlife Music Awards. So clickity click the link, download it and enjoy! http://www.thinktwiceradio.com/patsy-dottie/audio/160128a.mp3
12/23/15: Forever Green has (finally!) released a 5 song EP. This release includes a couple of alternate mixes that can only be heard on this CD. The first song, Fall Down Blues, was the first song Forever Green recorded and Joey's Song is the last song Joe Tell recorded. The second song, When You're Near Me, is a alternate version that will not be included on the full length release. I'd Find My Way is another alternate mix that uses all 3 versions of Dan's vocal tracks to create a very unique vocal sound. A second guitar can be faintly heard, this is a unplugged electric guitar which came through the vocal mic during one of Dan's vocal performances. Joey's Song was recorded by Vincent James. Vince is a master musician and he owns Music City Buffalo, one of, if not the best, music stores in Buffalo, NY. I must add that I was slightly intimidated recording with Vince because he is so talented, luckily I got over it and made it through. The guitar tuning on this track was created especially for this song and all the ethereal enhancements were added by Vince. Waves is a live track that Dan wanted to include on the EP. Dan's vocal talent really talent shines through on Waves. Tony Chimera played the bongos on Waves. EP Artwork was created by Cheryl and Dan Manzella and Joe Tell. This EP was meant to be a teaser in advance of a full length CD which will be released in 2016.
Update 3/14/15: Forever Green is proud to have been chosen as a finalist in the Artvoice BOOM (Battle Of Original Music)! We are glad to be recognized for our music and very happy to see our picture in the Artvoice newspaper. The best thing about it is our music is being heard by a larger audience.
Danny Manzella and I are writing music together again as Forever Green with the help of producer Mike Boncaldo of Ansley Court and Chunkpipe? fame.
Forever Green has also enlisted the top shelf help of Tony Chimera on bongos from 55 Main and Tommy Leach Jr. on 5 string bass from River Rocks.
Forever Green has released 2 live original tracks, "Waves" and "Old Dead Flea Blues" from the famed Tudor Lounge in Buffalo, NY with special guest Tony Chimera on bongos.
Big thanks goes out to Bruce Markwardt for recording us. Thanks Dad!
3 new originals have also been written, recorded and released, "When You're Near Me", "I'd Find My Way" and the 6 minute opus "Seniorita". Our love for the blues produced "Exactly What You Did" kept lo-fi on purpose. Dan and I sincerely hope you enjoy listening to our music! http://www.reverbnation.com/forevergreen2
8/24/2011 Update: Forever Green is Now on Reverbnation!
Check out the Youtube video Forever Green (2) to hear Forever Green live...
Thank You for posting the videos Sue & Cheryl!
Forever Green is an acoustic duo Dan & I put together to express our love for music.
logo by Dan the Man.
Here's a classic FG handbill created by Joey Manzella and recently given to me by Dan. Thanks Dan!
After Elvis appeared at The Aud in 1957... before the famed Buffalo Memorial Auditorium AKA "The Aud" was the home for The Buffalo Sabres starting in 1970, The Aud hosted basketball games and wrestling matches and in 1968 the Legendary Jimi Hendrix (AKA: The Greatest Guitarist of all time!) made a stop in Buffalo on his Axis: Bold As Love tour in March of 1968, the 3rd show on a 11 day consecutive stint of shows. Thanks to Bruce Eaton, impresario of the Albright-Knox Jazz concert series, we have a first hand account of the performance.
According to Bruce the stage was only about 4 feet high and the Aud was filled to 1/2 it's capacity, only about 6000 people were there.
This was when the cheap seats were colored grey and way before The Aud was renovated to accomodate more people after the Sabres moved in.
Hendrix rocked out on "Fire", "Manic Depression" and "Purple Haze" etc. etc. "blah blah woof woof ...only cowboys stay in tune anyway".
Those songs and many more were inlcuded in the set and Hendrix violently smashed his equipment at the end of his performance, a trademark for Hendrix early in his career.
Bruce still has a piece of a smashed amplifier, which he politely asked 1 of the roadies for, that Hendrix graciously sacrificed for the Buffalo audience.
Upon learning that the scheduled opening act "Jesse's First Carnival" was stranded in a Cleveland snowstorm the concert promoter, Jerry Nathan quickly recruited his sons local band. After a emergency afternoon rehearshal Buffalos own "The Sinnermen" opened the show.
Before reading the recent article in Buffalo Spree http://www.buffalospree.com/
I learned of this show from the book, "Jimi Hendrix, Experience The Music" written by Belmo and Steve Loveless.
I also heard another first hand account from Phil when I was a member of the local Buffalo band "Wanted By The FBI" http://www.fbibluesrock.com/. Phil was in attendance.
A Big Thank You to "Buffalo Spree", the "Jimi Henrix, Experience The Music"book, Ed Adamczyk, Bruce Eaton, Tony Markellis, Jay Weisbeck, Jerry and Steve Nathan and Phil for sharing their "Experiences" with everyone and last but not least, Jimi Hendrix.
Oh yeah and all the bands I witnessed @ The Aud in the 80's and 90's.
Hendrix giving oral to his guitar, AKA playing with his teeth, was always an exciting trick Hendrix enjoyed and employed during his improvisational soloing.
"The cat in the blue hat" looks really excited.
Check out the spare sunburst Strat standing up against the Sunn cabinets.
Before James Hendrix became "Jimi Hendrix" Jimi was a sideman to many R&B touring bands, here's a rare pic from '65 when Jimi played McVans in Buffalo New York with Joey Dee and the Starlighters.
Photo courtesy of the book "Becoming Jimi Hendrix" by Steven Roby & Brad Schreiber.
Selector Dub Narcotic (Calvin Johnson) On U.S. Tour
Playing Buffalo, NY 4/7 at Sugar City
The Party Is Just Getting Started Out Now K Records
Selector Dub Narcotic (Calvin Johnson of Beat Happening) is on a U.S. Tour now! Dates are below. Check out Selector Dub Narcotic's last album 'The Party Is Just Getting Started' here.
Selector Dub Narcotic is the pseudonym of choice for Calvin Johnson when he is re-mixing records for the Dub Narcotic Disco Plate series, or engaged in spinning records at a party or other literary functions. Drawing largely from a stack of 45 rpm phonograph records, Selector Dub Narcotic is known to mix the genres dancehall, soul, punk, garage, R&B, rock steady, bubblegum and rockabilly with assorted curiosities of the current underground music scene.
3/22 - 40 Watt Club - Athens, GA
3/23 - Graveface Records - Savannah, GA
3/24 - Fresh Produce Records - Macon, GA
3/25 - The Cave - Chapel Hill, NC
3/26 - The Pinhook - Durham, NC
3/28 - Trinity Chapel - Frederick, MD
3/29 - Sign Of The Wagon - York, PA
3/30 - Otto Bar - Baltimore, MD
3/31 - Space 1026 - Philadelphia, PA
4/1 - Consolidated Cardboard - Allentown, PA
4/2 - Babycastles - New York, NY
4/3 - Alphaville - Brooklyn, NY
4/4 - Machines w/ Magnets - Pawtucket, RI
4/5 - Studio 550 - Cambridge, MA
4/6 - Sarah Lawrence College - Bronxville, NY
4/7 - Sugar City - Buffalo, NY
4/8 - Deli Ohio - Canton, OH
4/9 - Kafe Kerouac - Columbus, OH
4/10 - Ice Cream Factory - Cincinnati, OH
4/11 - Bric-A-Brac Records - Chicago, IL
Calvin Love is striving to be a demigod of the highway. An artist driven by a vision which seems to haunt and seduce him. That could be the word. Seduction, as opposed to the banal force of production. People make music. The person reading this probably makes music. Or maybe some other kind of art. Who knows. For you, and for me, and For everyone lucky enough to be familiar with Calvin Love is the quintessential artist as inspiration. A person who peers into himself to reveal something about the world that might otherwise go unarmed, or perhaps merely felt and never properly articulated. I see Calvin at an intersection in every city on earth, unmasking the hidden wonder, the past as construed by movies and the archetypes that populate our minds. The hitchhiker. The gentle, supple poet whose aim is to elucidate humanity for the weary denizens of the weary world. He proves that in the form of cartoon darkness there is a reality beyond that which is fully amenable to basic speech, and so must be corralled in a blind faith in a palette. All great artwork depends on a palette, on the choices that one makes in pulling the shades of that palette into one’s control out of a sense of belief that I don't understand.
Watch videos of Calvin practicing. Go see his shows. He is a rare gift that more than so much of what we're forced to consume offers a vision.
-- Joe McMurray (Walter TV/Mac Demarco)
03.13 - Memphis, TN @ The High Tone
03.14 - Dallas, TX @ The Crown & Harp
03.15 - Austin, TX @ Barracuda
03.19 - Austin, TX @ Beerland - Panache Hangover Fest
03.21 - New Orleans, LA @ Siberia
03.23 - Knoxville, TN @ The Open Chord
03.26 - Washington, DC @ DC 9
03.27 - Philadelphia, PA @ Johnny Brenda's
03.28 - Baltimore, MD @ The Metro Gallery
03.29 Buffalo, NY @ Mohawk Place
03.30 - NYC Residency @ Berlin
03.31 - NYC Residency @ Berlin
04.01 - NYC Residency @ Berlin
04.03 - Montreal, QC @ TBA
04.07 - Toronto, ON @ Silver Dollar
04,28 - Beijing, CN @ Sound of The City Festival
05.04 - Shanghai, CN @ Strawberry Music Festival
New movie Fist Fight is being marketed as a comedy but there are many negative ideas that can be verified just by looking at the movie poster. First off the movie poster is basically saying that racial violence is funny as the movie is supposed to be a comedy. My opinion is that it's definitely not OK to use racial tension/violence to promote a movie. Second, the fist fight takes place on school grounds. When is a fist fight OK on school grounds? Never! Violence on school grounds isn't funny at all and it should not be used to promote a movie. Especially with all the gun violence that has taken place on school grounds over the last few years. Third the movie is using violence between teachers as a promotional angle. This is not good, violence between students is one thing but between teachers? How is that funny? Teachers should be trying to stop violence on school grounds, teachers should not be starting or participating in any type of violence. I would think that any teachers who choose to fight on school grounds would be immediately out of a job. Schools should be a safe place for students, not a place where violence between teachers can erupt on any given day. I'm sure there are a few good comedic sequences in the movie seeing as Tracy Morgan stars in it, but I have no desire to see this movie. I would never take any child that is still in school to see this movie either. Please comment below or send any comments to firstname.lastname@example.org, thank you.
The Hathaway Family Plot is a musician living in Buffalo, New York, whose mission is to make music with whatever is at hand. This is not "important" music, nor is it particularly functional. It is simply honest and urgently felt.
All music is under an "Attribution - Non-Commercial - Share Alike" Creative Commons License.
If you have questions about potential use, please contact the artist. https://thehathawayfamilyplot.bandcamp.com/
Several samples used in this album were pulled from freesound.org users, including koostix (Dymaxion), dnewtonjr (She sounded like birds), frozenmonotone (Big Machine), bigjoedrummer (Starving Artist Sale!), erdie_deutz (Starting up, letting go), inchadney (Starting up, letting go), qlevihirs (Not gonna leave), and phoenixdk (Prelude to a rational discussion & The Locks).
Otherwise, all pianos, keyboards, vocals, drums, electronics, kazoos, piano horns, psalteries, toy pianos, tin whistles, toy accordions, snake charmers, etc. performed by Kevin. Mostly recorded in amateur fashion at home or on location in a practice room. All songs written by The Hathaway Family Plot except "Delinquent Words," (Jandek), recorded under written permission from Corwood Industries. Creative Commons BY-NC-SA
I love the game of ice hockey. My friends and I were huge Buffalo Sabres fans growing up. I attended a few games as my friends dad had season tickets. Back then the Sabres were competitive enough to be a part of the Stanley Cup finals in '75. One lasting memory is the fog game in which Jim Lorentz swatted a bat out of the air, killing it.
Wishing the current Sabres team was more competitive I have noticed a trend when the team carries the puck into the offensive zone. Too many passes in an attempt to secure a goal before shooting the puck on net. A single pass can have a negative result if the puck is missed by the intended recipient. Or the pass can be intercepted by an opposing defense-man resulting in a turnover. Every pass attempted before shooting increases the chance of a negative result.
However if the player who carries the puck into the offensive zone attempts a shot on net the end result can have a positive outcome. Here are some examples of a shot taken directly on the net as the puck is carried into the offensive zone...
1. The absolute best result is a goal. If the goalie is caught off guard by the initial shot the puck may end up in the back of the net.
2. The goaltender may cough up a juicy rebound that can be picked up by the shooter or a player coming into the offensive zone. Again a shot on net is better but by this time a pass can be attempted as the wingers hone in on the goal. A good pass can result in a goal at this point as the goalie may be screened by his defense man or an opposing player.
3. The goalie may choose to freeze the initial shot resulting in a face off in the offensive zone.
The important thing to remember is every shot on net can result in a goal, the more shots attempted the better. I have never claimed to be a expert on the game of hockey but over the years I have noticed that a initial shot as the offense rushes toward the net is the best way to go about trying to score a goal. After gaining the lead a team can pass the puck around as much as they want to try and run down the clock. Especially in the 3rd period. Any comments are welcome.
Kenny White "Long List Of Priors" CD review by Joe Tell.
Kenny White is a well established, highly accomplished and respected musician veteran. Kenny is part of a dying breed of brilliant songwriters who prefer musical restraint and quality sounds over loud brashness. Long List Of Priors touches on many genres but can be described as Americana with rock, ragtime and jazz influences thrown in for good measure.
(The CD title and song titles are in lower case but I will use upper lower in the review.)
Long List Of Priors starts off with A Road Less Traveled. The intro creeps in with many sounds that drew my ear in and left me wondering what type of song this would end up to be. A simple yet melodic piano line drives the song along in style. Kenny's interesting lyrics provide plenty of color and confirm his talent for great songwriting. David Crosby of Crosby, Stills, Nash and Young fame provides background vocals.
Che Guevara is my favorite song (so far) on Long List Of Priors. The lyric claims that Che Guevara is not fashionable any more. Writing a song claiming this proves that Kenny is hip to the jive. The song celebrates all things bohemian. Duke Levine provides the cool sound only a lead guitar can bring to the soundscape. A violin, viola, and cello track adds the finishing touches to the artful song. Jazz veteran Catherine Russell and Amy Helm provide background vocals.
Another Bell Unanswered is a love gone wrong anthem to the heartbroken. Kenny's lyrics provide a unique view on the sorry subject of a love that is lost. David Crosby provides background vocals. Award winning instrumentalist, Larry Campbell, provides electric guitar.
Cyberspace is a commentary on the internet and all the things contained therein. The melody is driven by a piano line except for the solo section which turns into a country groove.
The Other Shore is a very well written song. The song could fit right in on any movie soundtrack. I interpreted the lyrics to be about the massive influx of immigrants that entered NY harbor in the early part of the 20th century.
Glad-Handed is a uptempo happier-sounding melody than the last song. Peter Wolf of J. Geils Band fame provides harmonica and some lead vocals. Glad-Handed is a rocker that appears to be about the ups and downs of the music industry.
Lights Over Broadway begins with a melancholic piano line. The jazz tinged tune reminded me of Steely Dan at times.
Charleston is a poignant song about the 2015 church shooting that took place in Charleston, South Carolina. This song would fit right in on a documentary about the mass shooting. Ada Dyer does a fantastic job on the duet vocal.
The Moon Is Low is a solo vocal/piano piece about the in's and out's of closing time at a watering hole.
West L.A. is a smart song that reminded me of Randy Newman. A ragtime piano figure turns into a great melody inspired by New Orleans jazz. One of the best songs on Long List Of Priors.
Color Of The Sky has a nice percussion track, the lyrics speak of a love that is lost and the yearnings that follow.
4000 Reasons To Run and The Olives and The Grapes follow in the same suit as the rest of the songs, closing out the CD.
Kenny's newly released album, LONG LIST OF PRIORS, is aptly named, because he spent decades touring as keyboard player in bands including Jonathan Edwards and Livingston Taylor, He then became one of NYC's most successful record producer and arranger of TV ads. Although he left it all in 2001 to write and tour on behalf of his own humorous and heart-stirring songs of the human condition, he produced Peter Wolf's last four albums. They include the Rolling Stone cited “Essential” FOOL'S PARADE, and SLEEPLESS, one of the “500 Greatest Albums of All Time.” Kenny plays keyboards and sings on all four recordings. This Peter Wolf tour, therefore, is a rare event featuring Kenny as guest artist on keyboards, along with Duke Levine on guitar and Marty Ballou on bass, both also members of Kenny's LONG LIST OF PRIORS band. Peter Wolf makes a guest appearance on Kenny's album (along with David Crosby, Larry Campbell and others).
Short Bio: Born in New York City and raised across the river in Fort Lee, New Jersey, Kenny White began his career in the 1970s, touring exclusively as the keyboard player for Jonathan Edwards and Livingston Taylor, with whom he opened Linda Ronstadt’s legendary, “Living in the USA” tour. He then became a fixture in the NYC studio scene throughout the 1980s and 1990s, producing and arranging literally hundreds of commercials for TV and radio, beginning with “The Unsinkable Taste of Cheerios,” nearly seven years of Chevrolet’s “Heartbeat of America” campaign, and countless ads for the Coca Cola company. Commercial work enabled White to direct artists as renowned and varied as Gladys Knight, Ms. Ronstadt, Mavis Staples, Ricky Skaggs, and Aaron Neville.
Kenny White’s record producing credits include Shawn Colvin’s Grammy-nominated song, “I Don’t Know Why,” as well as the last four solo CDs for Peter Wolf, formerly with the J. Geils Band: FOOL’S PARADE, SLEEPLESS (named one of Rolling Stone’s “500 Greatest Albums of All Time”), MIDNIGHT SOUVENIRS, which debuted at #45, and the 2016 release A CURE FOR LONELINESS, which reached #23 on the Americana chart in its first 6 weeks. Kenny often joins Wolf’s Midnight Ramblers band on tour. The productions with Wolf afforded Kenny the opportunity to work with an array of guest artists including Mick Jagger, Merle Haggard, Shelby Lynne, Steve Earle, Neko Case, and to record a track side by side with Keith Richards. Robert Plant was recently sighted in rapt attention at one of White’s solo shows in the UK and Jackson Browne, the same, at one of Kenny’s L.A. shows.
He still, from time to time, tours with Judy Collins throughout North America and performs the duet “Veterans’ Day” on her recent BOHEMIAN CD. He often shares a stage with his good friend Cheryl Wheeler, appearing on her live recording, GREETINGS, which he also produced. And though he has all but given up his days as a sideman, in 2014, he accepted an offer by none other than Tom Jones to play in his ‘soul quartet’ for a sold-out, three week US tour.
Brett Prusinski going under stage name "Conscious" is a 22yr old Western New York native. Conscious is best known for being featured on AM Buffalo and working alongside national touring acts such as Steven Cooper, Mc Lars, Mega Ran & Mark Battles. Conscious recently headlined his mix tape release show "Waking Up The Neighbors" which was greeted with an outstanding crowd response. Conscious brings melodic, sensual vibes packed with witty, emotional and memorable lyrical verses that matches over unique and funky production. Along with a pure flow Conscious provides the listener with a voice that is said to be "powerful and made to move crowds". Conscious's creativity expands over many art forms as he is involved in every end of the production including writing all of his own lyrics, directing and editing all videography & photography. Conscious has quickly made his footprint in his hometown of Buffalo, New York and has created a great presence online from numerous viral videos that have accumulated an increasing following that has started a movement referred to as #TeamConscious. Be on the look out for more from Conscious as time progresses.
1. I feel that many of the legendary (or classic) rock and roll artists' of the 60's and 70's chose to join the secret societies that only the elite can be a part of. There are a few online photos that are of a suspicious nature and a few album titles that tell the story. Thinking about writing this piece has me rethinking my interest in rock and roll.
2. Lastly I have a few opinions on "The Spirit World" and how it coexists and interacts with our living world.