Beanpole's unreleased record 'All My Kin', out 8/31

Beanpole's (Primus' Les Claypool/Larry LaLonde & Spent Poets Adam Gates + Derek Greenberg) unreleased record 'All My Kin', out 8/31 on Sean Lennon's Chimera Music. 
https://www.chimeramusic.com/

All My Kin is the strange and somewhat unbelievable album by an artist called Beanpole. “Starving artist” must have been their mode of recording as stories of farming, eating, and disfigured animal-human hybrids course throughout the record. Very little is known about Beanpole, but it is widely recognized by collectors that most of the music originated from the late 1980s and early 1990s. Some sources maintain Beanpole is still active, although evidence remains unsubstantiated. 

Primus’ Les Claypool claims he attempted to release a decade’s worth of Beanpole recordings on his Prawn Song label in the ‘90s. We’re told that the tracks were delivered to the mastering studio on worn-out cassette tapes and dusty DATs. As legend has it, when Claypool played the mastered tracks to his distributor, the response from company executives was poor. As a result, Claypool was summarily dismissed from his business relationship with the distribution company, effectively ending his label. For nearly 20 years thereafter, the tracks were to remain forgotten.

Fast forward to 2017 when Claypool was touring with Sean Lennon as The Claypool Lennon Delirium. Les played the old, neglected recordings to Sean, who decided that the world was finally ready for Beanpole! 

“Beanpole’s All My Kin is a concept album for post-modern America. It chronicles the epic tale of Chicken Boy and his dangerously interrelated family. Years of isolation have resulted in the birth of a child who is part man and part poultry. Despite obvious adoration for their uniquely feathered offspring, having fallen upon hard times they consider the unthinkable: will Chicken Boy be sacrificed to feed his hungry family?” — Sean Lennon

Anonymous

Anonymous,
Please stop submitting negative comments to this blog.
Any negative comments submitted by anyone will be deleted.
Stop wasting your time and mine by revealing yourself so you can be blocked.

Bigfoot Expo - Chautauqua Lake

Bleed The Freaks "All Is Lost"

Bleed The Freaks "All Is Lost" complete CD art. Kick ass art, Kik ass Muzik!!

Click on www.bleedthefreaks.com to get your copy today!

Will Rule aka "Angst" doin' the B.T.F. dance!

                                                              www.bleedthefreaks.com

Bill Gurgoz aka "Angst"



































www.reverbnation.com/bleedthefreaks

Define Devine

Define Devine 

"Offering eternal liberation

Eye survive to peel away

Uncovering your tunnel vision

God is alive

Define Devine"

Define Devine was another Metal project from '04 that was fronted by "Angst". This is great heavy stuff! Hopefully I'll get around to doing a CD review soon.
"Angst" aka Bill Gurgol recieves writing credits on all of these songs.
Mixed by James Peter Labonte.
All songs copyright 2004 RULE! Entertainment

CD art by David Skonberg www.shamaneyes.net

Thank You Bill!

Tom Bender Music - Buffalo, NY

Tom Bender Music - Buffalo NY

Summer Schedule:
June 21st - Niagara River Cruises Music Cruise
June 23rd - Public House on the Lake
June 24th - Chill 443/Wyndham Garden Hotel 
June 28th - Lazy Lakes Camping Resort
June 29th - Salvatore's
June 30th - G-Mac's Inn
www.tombendermusic.com

Roger Daltrey

ROGER DALTREY RELEASES AS LONG AS I HAVE YOU

THE CRITICALLY ACCLAIMED NEW ALBUM 

Featuring ‘As Long As I Have You’, ‘How Far’, 
‘Get On Out Of The Rain’ and ‘Where Is A Man To Go?’

LP/CD/DOWNLOAD/STREAM 
AVAILABLE NOW
https://rogerdaltrey.lnk.to/ALAIHY

Brand new album featuring Pete Townshend 
Produced by Dave Eringa

“Roger Daltrey aces set of soulful covers, originals.” -AP

[Of “As Long As I Have You”] “A rollicking, gospel-flecked burner emboldened by squealing horns, jaunty piano, and a vibrant backing choir.” – Consequence of Sound

“Needless to say…Daltrey’s talents are everlasting and in many avenues go unmatched.” -Cryptic Rock

[Of “As Long As I Have You”]  “It's a return to his roots mixed with the wisdom that can only come with age.” – Ultimate Classic Rock

NEW YORK, NY (June 1, 2018)- As Long As I Have You the critically acclaimed new album from legendary Who frontman Roger Daltrey is released today.

During his career spanning five decade Daltrey has sold over 100 million records including 9 US & 10 UK top ten albums and 14 UK top ten singles. He’s played over well over 2000 gigs in a career spanning over 50 years including venues such as Woodstock, Monterey Pop, Glastonbury (twice), Hyde Park (four times), The Isle Of Wight (three times), Desert Trip, Shea Stadium, The Superbowl half time show and Live Aid to name but a very few.

Roger has raised tens of millions of pounds for charity all over the world and was awarded a CBE for his work with The Teenage Cancer Trust and is in the Rock And Roll Hall Of Fame, the UK Music Hall Of Fame and has lifetime achievement awards from The Brits and from The Grammys

‘As Long As I Have You’ was produced by Dave Eringa, best known for his work with the Manic Street Preachers and on Roger and Wilko Johnson’s album ‘Going Back Home’ and features Pete Townshend’s inimitable guitar on seven tracks as well as guest performances from Mick Talbot on keyboards (Dexys, The Style Council) and Sean Genockey on lead guitar who has worked with Suede, Shame and The Proclaimers).

Work on ‘As Long As I Have You’ was started shortly after the top 5 gold selling ‘Going Back Home’ was released and continued during breaks on The Who’s record breaking 50th anniversary tour ‘The Who Hits 50’.

The album is a mixture of self-penned tracks such as Certified Rose and the soulful ballad ‘Always Heading Home’ along with songs that have inspired Daltrey over the years including Nick Cave’s ‘Into My Arms’, ‘You Haven’t Done Nothing’ by Stevie Wonder, Stephen Stills’ ‘How Far’, ‘Where Is A Man To Go’ which is Daltrey’s variation on Dusty Springfield’s ‘Where is A Woman To Go.’ and the title track originally recorded by Garnet Mimms in 1964; the year that Daltrey, Townshend, Entwistle and Moon changed their name from The High Numbers and became The Who.

Roger Daltrey on ‘As Long As I Have You’ “This is a return to the very beginning, to the time before Pete [Townshend] started writing our songs, to a time when we were a teenage band playing soul music to small crowds in church halls. That's what we were, a soul band. For a long time, I've wanted to return to the simplicity of these songs, to show people my voice, a voice they won't have heard before. It felt like the right time. It's where I am, looking back to that time, looking across all those years but also being here, now, in the soulful moment”

ROGER DALTREY ‘AS LONG AS I HAVE YOU’
AVAILABLE NOW ON REPUBLIC
LP/CD/DOWNLOAD/STREAM 
As Long As I Have You
How Far
Where Is A Man To Go?
Get On Out Of The Rain
I’ve Got Your Love
Into My Arms
You Haven’t Done Nothing
Out Of Sight, Out Of Mind
Certified Rose
The Love You Save
Always Heading Home
https://www.thewho.com
https://www.facebook.com/thewho
https://twitter.com/TheWho
https://www.instagram.com/officialthewho/
https://www.youtube.com/channel/UCUtwj-3S97bj3lYDVxDKtlQ

The Molice

The Molice will be playing Nietzche's on May 5th

The Molice are a modern Japanese band who draw inspiration from 70's punk's DIY spirit, 80's new wave, power pop and 90's unchained indies guitar rock. They have a similar vibe to CSS, and Fujiya & Miyagi, with Pixies-esque guitars and powerful 80's style vocals.

The Molice was formed in 2007 by the charismatic female singer/rhythm guitarist Rinko, high tension guitarist Yuzuru Takeda. After a year of polishing their material playing Tokyo's numerous rock venues, the band made their recorded debut in November 2008 with their album 'Doctor Ray'. In the wake of their debut album they also received their first offer to play abroad, and did a UK tour in late 2009.

Their sophomore effort 'Catalystrock' was released in March 2010 followed by their third release, 2012's 'Neugravity' .
​
In 2014 THE MOLICE returned with a new line up delivering another collection of Lo-Fi Sci-Fi Love with a new album called "Resonance Love" on Good Charamel Records as well as a CD only version released in 2015 including 2 exclusive remixes entitled Resonance Love + !

The MOLICE released their album "5" on  June 11th, 2016 worldwide. The first album the band recorded outside of Japan, The North American version of the album includes a bonus track, a cover of "Bring on the Night" by The Police.

In late 2016 THE MOLICE finished tracking an EP entitled "Signs" which was released digitally September 8, 2017 and visited the US for a string of dates across the Northeast promoting this new release. Signs will be released physically Worldwide December 1st. The band spent the Summer of 2017 recording a new album in the US for release in 2018. 

http://themolice.com/

Beams - Toronto, ON

Beams 

While Beams eagerly awaits their sophomore album record release tour across North America, the inspiration behind the album was not as such. During the writing of the album lead singer/ songwriter Anna Mernieks went down a mental spiral that wreaked havoc on her personal and artistic life. This spiral led to Anna cancelling her wedding with bandmate Mike Duffield, but the crisis encouraged her to deal with her depression while simultaneously sparking the concept of the next record. Two years in the making, teaming up with Ian Gomes (Hooded Fang, Odonis, Odonis), and Peter J. Moore (Neko Case, Cowboy Junkies), Beams will embark on a lengthy tour to Texas and back while showcasing their folk noir melodies from their latest release "Teach Me To Love."

“glorious harmonies and twang-filled acoustics perfectly combine the hustle and bustle of the city with the laid-back atmosphere of the countryside. ” Exclaim! Magazine

“Beams' strength is their restraint, employing just enough singing saw, just enough plucking, just enough mystery in whimsical lyrics.” Now Magazine (NNNN)

“offers such a dizzying array of bouncy arrangements that you'd be hard-pressed to classify it as folk in any strict sense, but it's a giddy, attention-worthy winner no matter what label you stamp on it.” No Depression (USA)

TORONTO, ON - “The lyrics are sad but the music is sweet,” sings Anna Mernieks on the final track of the new Beams album before co-front woman Heather Mazhar comes in for the chorus, their voices combining to strike exactly the bittersweet balance the lyrics describe. It’s a fitting line given that Beams is a band that’s embraced contrasts from the start—even their name has opposing connotations, calling up images of something both solid and permeable, light and dark. With Teach Me To Love, their second full-length album and follow-up to 2015 John McEntire (Tortoise, Yo La Tengo, Broken Social Scene) 7” The Gutters and the Glass, the band is in full command of their contradictions. Recorded at Toronto’s Union Sound Co by Ian Gomes (Hooded Fang, Odonis Odonis) Teach Me To Love’s ten songs are subtle and spacious in their arrangements, while at the same time Beams’ seven members bring a propulsive energy to everything they play. The results are catchy as hell and full of, not nostalgia, but a longing for something you know you can never have, like always wanting to be in the country when you’re in the city, and the other way around.

Toronto-based Beams have been winning over crowds across North America with their hard to classify sound for the last five years. Led by Mernieks and her banjo, the band is usually called some variation of country or bluegrass, (a natural conclusion to come to, considering there could be a mandolin, lap steel, singing saw and several band members wearing plaid on stage at any given time during a Beams set), but they have a certain Kate Bush, Joanna Newsom-like otherworldliness that’s made them impossible to fit neatly in one category.

Teach Me To Love finds Beams much more at home in the realm of psych folk, a genre whose dual nature manages to encompass the sprawling beauty of these new songs. Mining her experiences and her imagination in equal measure, Mernieks’ lyrics turn the everyday into the unbelievable, blurring reality, but only at its edges. “My Second Time At The Mountains” wonders if you can ever experience a “first” again, whether it’s the awe of seeing mountains for the first time, or the way you loved someone in the beginning. “Apartment In My Head” is a spiralling, sinister tune propelled by Mernieks’ banjo, which plucks prettily as ever but brings with it a sense of deep foreboding, calling to mind acts like fellow Torontonians Timber Timbre, who evoke a similar sonic atmosphere.

“Beams’ strength is their restraint, employing just enough singing saw, just enough plucking, just enough mystery in whimsical lyrics,” Julia LeConte wrote in her four-star review of their 2013 debut album Just Rivers. The arrangements on Teach Me To Love are truly accomplished, a testament to the musicianship of each band member, who are practiced at leaving elbow room for each other in the music, if not in the band van. Brothers Dave and Keith Hamilton on mandolin and singing saw/vibraphone respectively, bring texture and personality, Mike Duffield’s relentlessly excellent drumming, alongside Craig Moffatt on bass, acts as both backbone and pulse, supporting everything while driving it forward, and Martin Crawford’s guitars lift the songs just as high as Mernieks’ and Mazhar’s weightless harmonies.

This latest offering is a versatile, ambitious album that sounds right anywhere, whether it’s first thing in the morning on your subway ride to work, on a late night long distance drive, or live, in a bar, on the dance floor. Because, for all their subtleties and complexities, Beams is also a band that will make you want to dance. 

TOUR DATES:

05/07-13 CMW - Toronto, ON
06/09 Kelly’s - Bracebridge, ON

https://www.facebook.com/beamstheband

https://twitter.com/beamstheband

https://www.instagram.com/beamstheband/

https://beamsbeams.bandcamp.com/

http://beamstheband.com/

Gladshot

Gladshot 

New York-based Gladshot shared their latest single "Ride" via Northern Transmissions. The track is from their album These Are Vitamins, which is out now. 

Considering they’ve already worked on everything from a “dystopian rock musical” (Barcode) to songs that scored TV shows on TNT, ABC and MTV - and after wrapping up a live set on WFMU’s Goddamn Dave Hill show where they lit up Dave’s message board and then went on to headline a sold out NYC show - it probably shouldn’t come as a surprise that Debbie Andrews and Mike Blaxill are at the peak of their creative powers on the new Gladshot album These Are Vitamins. Due out October 27th via the group’s own DIY imprint, it’s their second effort with super producer John Agnello (Sonic Youth, Kurt Vile, Waxahatchee) and the first to feature bassist Jesse Murphy alongside drummer Tony Mason and guitarist Tim Bright.

“We’re so happy with the way they sound on the record,” explains Gladshot’s core duo. “Jesse came out of the Nublu world music scene and plays with Brazilian Girls. Tony never does the song the exact same way twice—which we love—and has played with Norah Jones and Leo Nocentelli of The Meters. Tim’s a self-proclaimed ‘sonic explorer and music ninja nerd’; one of the sounds he used on the record is from a trip to China where he went in search of the most out-there effect box he could find.” (See: the hologram-dodging hooks and robust, psych-steeped riffs of “Simulation”.)

All three of ‘em will join Gladshot on the road this fall, adding to the push-and-pull dynamics Mike and Debb perfected on their last EP, Maxwell’s Cool Demon. It’s something they’ve been working on ever since the two met at a songwriter collective that performed and critiqued one another’s songs. At the time, Mike and his propulsive guitar were on more of a roots-rock tip, and Debb pulled in pop influences and the serious jazz skills that earned her a National Endowment for the Arts nod and lessons with the legendary pianist Joanne Brackeen (a session player and live performer for such esteemed musicians as Ornette Coleman, Art Blakey, and Stan Getz).

Now Gladshot can be best described as bold garage band, striking a perfect balance between pop and psychedelic music. Not to mention reflecting such varied influences as the Rolling Stones, Neil Diamond, AC/DC, Crowded House, Marvin Gaye, and the road-tested records of Cherry Glazerr, Langhorne Slim, and Cymbals Eat Guitars.

“We each generate our own musical ideas,” the pair explains, “then we get together to decide what will be a song. Once it’s written, one of Debb's favorite things is coming up with keyboard parts—cool ones that meld into the song, the way Nicky Hopkins does on ‘Sympathy for the Devil’ or ‘She's a Rainbow’. They inspire her to keep it all lo-fi and simple.”


And catchy; my how it’s all oh-so-catchy….

https://www.gladshot.com/
https://www.facebook.com/gladshot
https://twitter.com/gladshot
https://soundcloud.com/gladshot