Tuesday, June 11, 2019

Cheap Thrill - Hair Nation


I attended the Cheap Thrill show with a couple of my friends. Thanks to Rob for getting me in to take pictures of the band. Also, Special thanks to Jim Crean for giving KISS THIS! a shout out during his rockin' set with Hair Nation. My friends and I enjoyed Hair Nation and the kick ass Cheap Thrill show, even though there was a lil' chill in the air. Thank You Braun's.

CHEAP THRILL, ( Brandon Gibbs - Lead Vocals Guitars, Jeff LaBar - Guitars, Eric Brittingham - Bass and Cheney Brannon -Drums), played this past Friday at Braun's Concert Cove ( located in Akron, NY ). The band is made up of members of CINDERELLA's, Jeff LaBar, Eric Britingham and COLLECTIVE SOUL 's Cheney Brannon along with Solo Artist, Brandon Gibbs. With members of CINDERELLA & COLLECTIVE SOUL, they had a great list of songs to pick from and they chose the BEST to perform.

The band got it going with CINDERELLA's " Save Me" and then went into COLLECTIVE SOUL's " Heavy". Brandon Gibbs played a song "This Town " of his solo CD " Into The Ocean". The audience got to hear a new CHEAP THRILL song " Heavy Man". They got the crowd going with " Heartbreak Station" by CINDERELLA and great cover of the Stealer's Wheel song "Stuck In The Middle". The band was having a fun time, as well as the crowd. "Gypsy Road" was next and a cover of Michael Jackson's "Billie Jean". Jeff LaBar played an amazing solo and then HEART's "Crazy On You". Playing CINDERELLA's biggest hit song " Nobody's Fool" got the fans loving it and singing along. The band did an excellent version of REO Speedwagon's "Roll With The Changes". Closing out the stellar night was "Imagine" by the late, great John Lennon. The band has been on tour for 9 months and shows no sign of slowing down.
Thanks to CHEAP THRILL and their management team, and Braun's Concert Cove for the opportunity to cover the show.


Cheap Thrill FB link
https://www.facebook.com/pages/CHEAP-THRILL/334893636634093


Brandon Gibbs


Jeff LaBar


Eric Brittingham


Hair Nation's set list, Jim Crean gave KISS THIS! a shout out during Rock and Roll All Nite, Thank You Jim!




Hair Nation website
http://www.hairnationband.net/

All photos by JTellfotos.

Monday, May 20, 2019

Talas - Buffalo, NY



TALAS - March 14th, 2019 Riviera Theatre. North Tonawanda, NY










DAVE PAUL BILLY


BILLY PAUL DAVE back cover of Sink Your Teeth Into That



BILLY PAUL DAVE






I never had the opportunity to see the original Talas lineup live but I witnessed the 2nd revamped version of Talas many, many times when Phil Naro fronted the band. I spent many a teenage night learning to play the bass (and guitar) being influenced and inspired by Billy's awesome performances. I actually met Billy once in Buffalo but I was starstruck into virtual silence...I think I got up the courage to say "Hi" and that was it. I have seen Dave and Paul play together with the Tweeds in the 80's and I had the immense pleasure of sitting in with them a couple of times. I even had the distinct pleasure to open up for Talas at the now defunct Uncle Sam's/Spit nightclub with a band called Charmer (86?) but this was after Billy had left the band...which baffled me because I always thought Billy made Talas what it was...needless to say the Talas version without Billy didn't last long.
Billy's bass playing continues to amaze and influence me after all these years. I enjoy listening to all the bands that Billy has recorded with over the years, especially Niacin. For those of you who aren't aware of Billy Sheehan's style of bass playing, here's a little info. Billy has the ability and the know how to lay back and seemlessly fill a groove when needed. He also has the amazing ability to blow your head off when it comes time to play a bass solo! Remember that the electric bass has only 4 rather thick strings that are tough enough to play...Billy has mastered the ability to play lead bass guitar, a skill he virtually created on his own, I've never seen or heard anyone play the 4-string bass like Billy. He's in a class all his own.
Dave has a couple of solo CD's out which are amazing in their own right. Dave and Paul continue to play the Buffalo club and summer festival music scene. Anybody who is a fan of the Buffalo Music scene needs to see Dave and Paul play live, they helped create and make the Buffalo Music Scene what it is today. I've had the pleasure to meet and talk with both Dave and Paul and they are friendly, approachable, class A guys. If you've never heard them play their musical talent is instantly apparent from the first note you hear either of them sing or play. Stick around long enough and you may hear a Talas classic! Tell 'em Joe Tell sent ya!



Tuesday, November 27, 2018

NOREiKA - Buffalo, NY









NOREiKA BIO:

Hailing from Akron, NY (suburb of Buffalo) Noreika began his career as a guitarist for a number of Heavy Metal & Thrash bands. Some gained regional notoriety and others never left the basement. Through the years, the daily band rehearsals turned into only twice a week, then to  once a week, then to once a month. It seems that life crept up and changed priorities for Noreika and the other band members. Eventually being in a band faded into memory. Playing guitar for the joy of it became the norm. Gone was its importance as a career - it had turned into a hobby. To Noreika, this alternate path wasn’t empty or hollow. Quite the opposite, it’s brought him love, a Wife, a Son, a reasonable pay check, and many things he wouldn’t have known otherwise. Still, he missed doing the job he loved - performing music. That being said, it was his, then 4 year old, son that keyed him into the fact that something was missing.

One morning Noreika was complaining under his breath about business attire, while ironing his clothes before work, when his Son said, “will you play with me?” Noreika tried to explain that he had to go to work and that he would play when he returned in the evening. His son looked up at him, slightly perplexed by the explanation, and said the words that changed everything, “Daddy, I wish you could be a songwriter so you could stay with me instead of going to work”. That was it (after Noreika wiped away some tears). That was the motivation he needed. The motivation he silently longed for. The giant kick in the pants that only a 4 year old could provide. That evening, after he tucked his son into bed, he began writing, composing, and practicing. He knew that being in a band was tricky and wrought with obstacles. So a decision to go solo was made.

Of significant importance was advice he received from his good friend and one time band-mate; Joe Goretti (drummer from AJR Brothers, Robyn, Ne-Yo, Moby, and many others), "Do it with no expectation of fame. Do it because you love it. Do it because it makes you happy. Do it because it's who you are. Do it solo and be in charge of your own destiny". With that as inspiration, it began. A three song EP, METACOUSTiFOLK was recorded and released to much acclaim.


Metacoustifolk weblinks:
itunes: http://apple.co/1Gsn7Gr
Apple Music: http://apple.co/1QUCnS9
Amazon: http://amzn.to/1hpYx2n
Google Play: http://bit.ly/1VilNBH
Spotify: http://spoti.fi/1LDeHDV

2016's follow up; Throw the Switch to Begin, hit the ground running with even more metal inspired, acoustic folk rock, with stirring melodies, thought provoking vocals and a certain vibe that only NOREiKA can provide.


Throw the Switch to Begin Weblinks:
itunes: http://apple.co/2b4Xeqo
Apple Music: http://apple.co/2b6npgw
Amazon: http://amzn.to/2bVwpD1
Google Play: http://bit.ly/2bzMRsF
Spotify: http://spoti.fi/2biq32P

2017 - Noreika presents: BoXaRoX. A departure from the full band recording of the previous EPs by stripping down the music to the bare essentials of guitar and vocals. A singer / songwriter approach with Noreika's twist of metal inspired acoustic rock.



BoXaRoX Weblinks:
itunes: http://apple.co/2uvg9k7
Apple Music: http://apple.co/2hzpOoN
Amazon: http://amzn.to/2uWDrQf
Google Play: http://bit.ly/2vK1wiI
Spotify: http://spoti.fi/2iuTkwc


2018 - New EP in the works. Back to the full orchestration of the first 2 EPs. Coming summer 2018.

NOREiKA LINKS:
www.peternoreika.com
www.metacoustifolk.com
https://peternoreika.bandcamp.com
www.soundcloud.com/peternoreika
www.facebook.com/noreika
www.youtube.com/peternoreika
www.instagram.com/peternoreika
www.twitter.com/peternoreika
http://peternoreika.tumblr.com
www.linkedin.com/in/peternoreika



Sunday, October 28, 2018

Great Lake Swimmers - Toronto, Canada


Great Lake Swimmers The Waves, The Wake album art



The Waves, The Wake music review by Joe Tell.

First off The Waves, The Wake contains many different sounds, all of the songs are brilliantly orchestrated with many different instruments. The roster of instruments includes the harp, lute, pipe organ, woodwinds, congas, marimbas, the banjo, piano, 12-string guitar and the natural reverb
from a 145 year old church in London, Ontario. Many of these songs sound like they could be from a movie soundtrack. These unique sounds define the sound of The Waves, The Wake, the band has a sound all their own which could be best described as Classical Americana.  

The first song, The Talking Wind, has a ethereal sound with it's breezy blend of instruments and harmony vocals. The song merges classical music and alternative rock sounds into a perfect blend.
In a Certain Light shows another side of the band with it's country feel and banjo picking. 
Alone but Not Alone lifts the tempo a bit with it's jangly rhythm and lead guitars. I can hear a early folk rock influence.
Falling Apart has a melancholy feel with it's brilliant string orchestration and sound swells. 
Side Effects is musically driven by some strong vocal melodies and some cool abstract vocal sounds take the song out.  
The Real Work is a piano based song that has a mellow melancholy sound.
Root Systems has a cool tango-like percussive groove along with some sweet vocal and string sounds.
Unmaking The Bed is also percussion driven with a relentless groove that is sure to have your hand or foot tapping along before the song is over. 
Visions Of A Different World is a mesmerizing song that uses vocal harmonies to transport the listener into a trance like state.


Website http://www.greatlakeswimmers.com/
Instagram https://www.instagram.com/great_lake_swimmers/
Facebook https://www.facebook.com/greatlakeswimmers
Twitter https://twitter.com/GreatLakeSwim
Listen to Great Lake Swimmers
https://open.spotify.com/artist/2HcZuUtnktqMHm4H1R9gAR?si=LG8i7kBlS3KWCidHbMoLAA

Tour Dates
11/23 – Toronto, ON @ Danforth Music Hall 

BIOGRAPHY
2018 marks the 15th anniversary of Great Lake Swimmers. Over seven albums, multiple EPs, live broadcasts, and reissues, the Toronto-based project led by singer-songwriter Tony Dekker has established itself as a beloved indie folk act in their native Canada and beyond. The CBC has called them “a national treasure” while their music has taken them around the world, sharing a sound that is at once familiar and distinct, using the tools of folk music as the starting point to delve deeper.

It’s this contrast and evolution that brings them to their latest release, The Waves, The Wake – a metaphor for the future ahead, and the past trailing behind. Abandoning the acoustic guitar, this new collection of songs sees the group branching out to include new sounds such as harp, lute, pipe organ, woodwinds, congas and marimbas, alongside the more familiar flecks and chimes of the banjo, piano, and 12-string electric guitar. The stunning acoustics of the historic, 145 year old Bishop Cronyn Memorial Church in London, Ontario lend the atmospheric touch to the album, under the guidance of co-producer Chris Stringer (Union Sound). This record is about the songs, first and foremost, and was made with many of Toronto’s most talented players, including arrangements by Drew Jurecka and electric guitar appearances both atmospheric and spirited by Kevin Kane (Grapes Of Wrath). Long time collaborators Erik Arnesen (banjo, guitar), Bret Higgins (bass), and Josh Van Tassel (percussion) also contribute their considerable musicianship.

“The Talking Wind” opens the album solely with woodwinds and vocals, setting the tone with its scaled back, minimalist approach. Similarly sparse arrangements on “Falling Apart” pair a meditative, layered piano with an appearance by renowned harpist Mary Lattimore alongside Dekker’s haunting, plaintive vocals. Bridging the album to the group’s past work, the lonely jangle of “Alone But Not Alone” is a study in song-craft; “Side Effects” matches lyrical substance to musical motifs with its expressive vibraphone, tempo variations, and vocal effects.

But perhaps the album’s centerpiece is the entirely a cappella “Visions Of A Different World” with its ghostly, longing vocals nakedly bearing its message.

Great Lake Swimmers have twice been nominated for Juno Awards, have been shortlisted for the prestigious Polaris Prize, and won a Canadian Indie Award for Favourite Folk/Roots Artist/Group. They have shared the stage as support for such musical luminaries as Robert Plant, Feist, and Calexico, and have appeared as headliners for many of Canada’s major Folk Music festivals. Their relentless touring schedule and countless live shows have helped them develop devoted fan bases across Canada, the US, Europe, the UK and many points beyond. Mojo dubbed them “Ambient Zen Americana” and Exclaim has described them as a “cherished blend of folk and orchestral indie pop.”


Tony Dekker: Vocals, Pianos, Guitars, Songwriter
Drew Jurecka: Guitars
Kevin Kane: Electric Guitars
Erik Arnesen: Banjo, Guitar
Brett Higgins: Bass
Josh Van Tassel: Percussion
Mary Lattimore: Harp

Friday, September 21, 2018

The Chairman Dances - Philadelphia, PA



Eric Krewson started The Chairman Dances in the fall of 2010. For five years the band quietly made albums – about one a year – and performed them in basements and bars as far from their homes in Philadelphia as the price of gasoline would allow and as often as they were beckoned. 

The summer of 2016 was slated to be like any other. The group had released an album called Time Without Measure and, as ever, sent it to every like-minded writer and DJ they knew. This time, though, their album stuck. Publications like Magnet and The Big Takeover wrote glowing reviews; the record made it onto CMJ’s Top 200 chart and, across the Atlantic, the BBC’s Tom Robinson hailed The Chairman Dances his “new favorite band.” In a few months, that band was opening for the Old 97s’ Rhett Miller.

For the next year and a half, Krewson did little else than work a day job, write, and assess and hone that writing. Every piece of every new composition had the freedom of changing into something better, and it often did. The band added a second keyboardist, which changed their sound dramatically, as did many guests musicians (including Mike “Slo-Mo” Brenner of Magnolia Electric Company) who signed on to be part of a new album, one more complex and deliberate than anything the group had attempted previously. 

The band recorded the majority of Child of My Sorrow live, with engineer Daniel Smith (Sufjan Stevens, Danielson) at the helm. Following this, there were weeks of experimentation: recorded drum tracks were sent through a synthesizer to be manipulated; guest string players Ezgi and Maddie were asked to repeatedly strike their priceless instruments with the wood of their bows to get a percussive-sounding note. With the help of chairman-dancers Luke Pigott and Ashley Hartman, the group took the album on the road, recording overdubs in Philadelphia, Chattanooga and Galicia, Spain. 

Of the album and its release, Krewson says: “It’s a relief to give up something I’ve clung to and considered for so long. It’s a relief to pack a bag and climb into a car with my bandmates, Dan Comly, Kevin Walker, Dan Finn and Will Schwarz, to perform this album on tour. We’ll see you out there.” 


Event details: The Chairman Dances at Thin Man Brewery - 9/21
https://www.bandsintown.com/a/1205277-the-chairman-dances
Listen/Share:  https://soundcloud.com/the-chairman-dances
Watch/Share: The Chairman Dances - “Acme Parking Garage” https://youtu.be/BJjpwDYROEg